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Tag: marxism

Art after COVID-19

(From Raising Arizona)

Yesterday I went through some of my old composition books after cleaning up my desk, and stumbled across a quote I wrote down in February 2014 and then forgot:

It is not the office of art to spotlight alternatives, but to resist by its form alone the course of the world, which permanently puts a pistol to men’s heads.

Theodor Adorno, “Commitment”

As usual with Adorno, I find it a bit difficult to understand exactly what he means—”resist by its form alone”?—but also intriguing. Art is not just a harmless pastime, a luxury for our “down times”. It’s our ally as we face a world that’s pointing a gun at us.

And although many of us, including me, are so far spending most of our COVID-19 quarantine time in the comfort of our own homes, for “essential” workers—health-care, food service, and grocery store workers—the suddenly unemployed, the people who can’t pay their bills or rent, and more, the world’s gun is at their head.

As a writer (or any other kind of artist), do we have anything to offer them better than a temporary escape? Can we help them resist? Art is not a substitute for providing them material support—honoring strikes, joining in mutual aid efforts, demanding our governments support and protect us—but it’s something worth pondering as we try to make art for others as well as ourselves in a difficult time, under difficult circumstances. Because sooner or later the gun is pointed at all of us.

Base services

Yesterday was the birthday of Karl Marx, so I decided to dip into a section of Capital, Volume 1, I hadn’t read yet to celebrate. And in footnote 12 of chapter 27, I found Marx suggesting that in 1695 William of Orange (King William III of England) granted a large property in Ireland, confiscated after winning the Williamite War there, to his mistress, Lady Orkney, because of her fellatio skills. He quotes a manuscript as follows:

“On the private moral character of this bourgeois hero, among other things: ‘The large grant of lands in Ireland to Lady Orkney, in 1695, is a public instance of the king’s affection, and the lady’s influence…Lady Orkney’s endearing offices are supposed to have been foeda labiorum ministeria.'”

Karl Marx, Capital, Volume 1, Chapter 27, Note 12

In the Penguin Classics edition I have, the Latin is translated in a footnote to the footnote as “base services performed with the lips.”

That’s on page 844, which is admittedly a long way to read to get to a dirty part, but don’t ever let anyone tell you history or economics are dull, and always read the footnotes!